This lyric from “Shattered” by the Rolling Stones sums up my reading this month.
Warning: This entry is meant for adult readers and there will be spoilers.
Erotica for Hanukkah
Fifty Shades of Gray took the world by storm. Entertainment Weekly calculated the equation of its success: “erotica plus fan fiction plus a book-buying female readership liberated by a choice in literary delivery systems equals a whole new garden of opportunities for the publishing world in the digital age.” This sensation (soon to be a movie) inspired several copycats and a lot of spoofs, but this is the first one I’ve encountered with a Jewish angle.
Fifty Shades of Oy Vey! by E. L. Jamesbergstein stays close to the original plot line. College senior Anatevka Stein interviews bagel mogul Chaim Silver for the Hillel Newsletter and sparks fly at their first encounter. “His age and his waist size are both roughly 40. He has a pale, sickly Yeshiva boy glow. Yet I am drawn to him. Powerfully drawn to him.” Except this version includes Jewish mothers, lots of ethnic food and a “kinky Ketubah.” There is an exchange of emails and an encounter with a salami in the “Blue Room of Broadloom.” While I know I should be offended and appalled by both the BDSM and the stereotypical Jewish jokes, I was amused. Instead of Anatasia’s “inner goddess,” Anatevka has an “inner yenta.” Billed as “so erotic, you’ll plotz,” it’s an entertaining parody.
Discussing Sexuality with Kids
Fifty Shades of Gray took the world by storm. Entertainment Weekly calculated the equation of its success: “erotica plus fan fiction plus a book-buying female readership liberated by a choice in literary delivery systems equals a whole new garden of opportunities for the publishing world in the digital age.” This sensation (soon to be a movie) inspired several copycats and a lot of spoofs, but this is the first one I’ve encountered with a Jewish angle.
Fifty Shades of Oy Vey! by E. L. Jamesbergstein stays close to the original plot line. College senior Anatevka Stein interviews bagel mogul Chaim Silver for the Hillel Newsletter and sparks fly at their first encounter. “His age and his waist size are both roughly 40. He has a pale, sickly Yeshiva boy glow. Yet I am drawn to him. Powerfully drawn to him.” Except this version includes Jewish mothers, lots of ethnic food and a “kinky Ketubah.” There is an exchange of emails and an encounter with a salami in the “Blue Room of Broadloom.” While I know I should be offended and appalled by both the BDSM and the stereotypical Jewish jokes, I was amused. Instead of Anatasia’s “inner goddess,” Anatevka has an “inner yenta.” Billed as “so erotic, you’ll plotz,” it’s an entertaining parody.
I recently reviewed Talking about Intimacy & Sexuality: A Guide for Orthodox Jewish Parents by Dr. Yocheved Debow (Ktav and OU Press, 2012). While the book contains important information, most people will not give it the attention it deserves. For more traditional Orthodox readers, there is no approbation, so they may be reluctant to read it. For more modern Orthodox readers, they can get a lot of the information from secular sources and on the internet. In a 342-page book, I found that page 167, where the chapter on “Relationships between the Sexes” was where the book really began to deal with the intersection of sexuality education and halacha (Jewish law). What I got out of the book was the media’s pervasive influence on our body image, perception of sexuality, and perception of what’s “normal.” Included in the book are “Helpful Conversations,” which give examples of how to broach such topics as sexuality, dress and identity, and homosexuality. The test subject, my adolescent teenager, ran out of the room screaming when I tried to start these conversations.
Getting past my initial musings, I liked the tone of
the book. Ott urges respect for all others, and stresses the value of
appropriate information. She evens suggests some of the same resources as Dr.
Debow and has similar suggestions for answering questions. In the first
chapter, Ott debunks several myths and stresses the need for constant
communication with children about “relationships, our bodies, what it means for
us to be a boy or a girl, and yes, occasionally sexual intercourse.” For those
who are squeamish about this discussions and mentioning body parts, it is
important to remember that “accurate language for body parts helps children
feel comfortable and knowledgeable talking about their bodies. This way, they
can communicate with adults if they need help getting dressed or using the
bathroom, and they can also accurately report and describe abuse if it
happens.”
Although Jesus is mentioned 38 times (Thank you, Kindle),
if you can get past this, Ott’s is a sensitive and straight-forward presentation. She
suggests some great resources throughout the book, and she includes a list of
them in the back matter, as well as additional resources. The screaming
teenager was also more receptive to the question and answer format than the
model conversations.
The Age of Innocence
versus The Innocents
I am a huge Edith Wharton
fan. I love The Age of Innocence for
all the reasons I love literary fiction: great characters, sense of place and
time, twists and turns. This was also a rare case when I enjoyed the movie as
much as the book because of the lush scenery and the performances of Winona
Ryder as May Welland, Daniel Day-Lewis as Newland Archer, and Michelle Pfeiffer
as Ellen Olenska. You can see the exact moment when Newland falls in love with
Ellen, and the subtle change in countenance when May realizes Newland has
fallen. I also love it because it’s such a period piece. This story could never
happen now. Newland would either break his engagement or have an affair, not
marry and be concerned about his sense of duty and May’s honor.
But what if it did take
place in modern times, in London, with Jewish protagonists? The Innocents by Francesca Segal won the 2012 Costa Award for
First Novel, as well as the 2012 National Jewish Book Award for Fiction, the
2013 Sami Rohr Prize, and a 2013 Betty Trask Award. It was long-listed for the 2012 Women's Prize
for Fiction (formerly the Orange Prize). Despite these accolades, I was not as
blown away as most readers. I enjoyed the sense of place in London, and I did
enjoy the Jewish aspects. While there were not the strict dictates of early 20th
century society, there were definitely dictates of the Jewish community in
which the characters lived. Looking at the novel on its own, not as a book
based on another one, it was a good story because of the conflicted characters.
As a book based on an earlier work, it lacked the subtlely of Wharton’s novel,
and thus fell short of the mark for me.
Wishing those in the
United States a Happy Thanksgivukkah from the land where it is Thanksgiving
every day and where the miracles of Hanukkah occurred.

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